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Her Fabulous 15

On the event of her birthday tomorrow (August 15), film historian Dhruv Somani selects the 15 most unforgettable performances ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Life at the Margins: Akash Ongshoto Meghla

Joydeep Mukherjee’s intensely political directorial debut is a haunting look at life in a metropolis. Shantanu Ray Chaudhuri...

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A  ROTI PLEASE!

One of the foremost signs of failing governance is that many more poor people are dying of hunger and malnutrition, writes Humra Qurais...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

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The Religion, Caste & Poverty Discussion

In continuation of what she’s written earlier, Humra Quraishi is focusing on the young in context to the horrific commun...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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